Generative bridges

Print on tissue paper, mounted on prepared plywood. 65/81
 
About fifteen years ago, as part of a project centered on the Briare and Loing canals, I spent several months photographing the locks, the ironwork, the metal footbridges and their anchor points embedded in cement—a whole discreet industrial memory, rusted, almost organic. From these hundreds of shots emerged digital montages, assemblages of details extracted and then recomposed into autonomous figures.
This series takes one of these montages as a starting point and runs it through generative creation tools, which reinterpret its material: textures become blurred, rust takes on the appearance of pigment, the structure wavers between mechanical relic and living form. What was document becomes mask, organism—without ever ceasing to be metal, wood, cement.
 
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